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Sandra Fernandez Rhoads is a Cuban-Colombian born in Queens, New York but currently lives in Dallas, Texas. Her previous experience includes earning a M.A. in her 17th century crush, John Milton, writing scripts and performance pieces, directing theater, acting, and running an employment consulting and marketing company. As an AFA-NIET National Finalist in Public Speaking, she welcomes an audience and dreams of playing the theme to Jurassic Park on her cello, named Lysander. Mortal Sight is her debut novel.

I am so excited to share this story. The original story seed for Mortal Sight came from the premise: what if someone never felt like they belonged in this world because they really didn’t? They were born for a place they didn’t know existed, an unseen realm. And if so, what things in our everyday world would shout out this truth, point to this other world, and try to get their attention to let them know that the restlessness is intentional and they were called to something bigger than themselves. The use of art and literature throughout the story comes from my own love for art and the artist community. The unique way artists look at the world could point to this other realm. I chose Milton’s Paradise Lost, in particular because the poem speaks of things invisible and unseen wars. I have a deep love for artists and the creative community and love encouraging others to tell stories through art, whether it’s visual, music, poetry, dance, writing, etc. It’s in art’s narrative that we see broken pieces of ourselves. This story came from the idea that art could create common ground, kickstart community, and maybe even change the way we see ourselves, others or even the world.